Jean-Philippe Rameau, by Carmontelle, 1760



RAMELLIAN

/rəˈmɛli.ən/ n. An anglicised term for a devoted admirer of the music of Jean-Philippe Rameau (1683–1764).


THE MISSION

Rameau undoubtedly wrote some of the richest, most dramatically vivid music of the Baroque era. While in recent years it has enjoyed a much-deserved revival, it remains too rarely heard in the UK. The Ramellians exist to redress that balance, by reviving his music in the spirit and on the scale of the private salon performances in Paris through which it first came to life.

Founded and directed by Alistair Scahill, performer and Rameau researcher, alongside founding members Catherine Martin and Zoe Shevlin, the group draws on the wealth of period-instrument specialists in the UK to present programmes of music by Rameau and his contemporaries.

Concert in the Paris hôtel of Pierre Crozat, by Nicolas Lancret, c.1738


‍ ‍LAUNCH CONCERT

13th November 2026 at 7pm

Les Salons, L’Institut Français

17 Queensberry Place, South Kensington, London SW7 2DT

We look forward to welcoming you to our inaugural concert this autumn – an evening of soprano arias and instrumental excerpts from four Rameau operas, presented in the spirit of the salons of 18th-century Paris.

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THE PERFORMERS

Lauren Lodge-Campbellsoprano
Catherine Martinviolin
Rosie Bowkerflute
Alistair Scahillviola
Samuel Ngbass viol
Zoe Shevlinbassoon
Kate Brookedouble bass
Jan Waterfieldcontinuo

PROGRAMME

Highlights from four Rameau operas, including

LES INDES GALANTES ballet héroïque

Overture
Prologue, scene 1
Vous qui d’Hébé (sop. Hébé)
Scene 2
Entrée de la suite d’Hébé
Amants sûrs de plaire (sop. Hébé)
Air pour deux Polonais
Menuets pour la suite d’Hébé
Les Incas du Pérou, scene 2
Viens, Hymen (sop. Phani)
Les Sauvages, scene 6
Air pour les Sauvages

PIGMALION acte de ballet

Scene 5
Du pouvoir de l’Amour / Ariette, Jeux et Ris (sop. L’Amour)
Airs de caractères de la danse: Très lent, Gavotte, Chaconne, Loure, Passepied, Rigaudon, Sarabande, Tambourin

LES BORÉADES tragédie lyrique

Act II, scene 6
Gavottes pour les Nymphes
Air, C’est la liberté (sop. Une Nymphe)
Air un peu gai
Ariette, Comme un zéphire (sop. Une Nymphe)
Air pour Orithie
Act IV, scene 4
Entracte, Suite des vents
Entrée, Heures et Arts
Gavottes et Rigaudons pour les Heures et les Zéphyrs

PLATÉE comédie lyrique

Act II, scene 5
Formons les plus brillants concerts, Aux langueurs d’Apollon (sop. La Folie)
Act III, scene 3
Chaconne
Approximately 1 hour 15 minutes, without interval
Buy tickets · £25